These stylised wooden objects represent a broad, non-specific genus and are made from prunings of trees from the Wimmera in western Victoria. Their construction methods have a minimal, environmental impact and include simple, hand-tooled assembly and natural finishing techniques.

These works are not a copy of any specific genus or celestial event. I work from observation to finished piece in as short a time as is possible – a type of metaphorical shorthand. My works are completed using colouring processes that are eco-friendly, non-chemical and mimic nature’s natural patination. Once completed, these works are displayed in a series of sculptural grids and their uniform arrangement helps accentuate their fragility and provides a curious narrative for the viewer.